Tuscany

Jon was awarded the De Segonzac Travelling Scholarship which enabled him to travel to Italy. He spent a number of weeks in Tuscany and in particular, Sansepulcro where he produced the following new paintings.

From Left to Right and Top to Bottom: 1. Self Portrait (with catapult). (35 x 31cm) Oil on gesso. 2. Untitled. (30 x 42cm) 3. Untitled. (30 x 42cm) 4. Untitled. (?cm)  5. Self portrait (with cross). (34.5 x 28.5cm) Oil on gesso.  6. Tree on a hill. (22 x 32cm) Tempera on paper. 7. Vineyard and Crib. (?cm) 8. Tuscan Landscape. (29 x 61cm) 9. Tuscan Stage. (?cm) 10. Sunset. (30 x 36cm) Tempera on paper. 11. Tuscan Farm. (29 x 36cm) Tempera on paper. 12. Farmyard and Plough. (32 x 40cm) 13. Self Portrait. (34.5 x 29cm) Oil on gesso. 14. Sacrificial Lamb. (29 x 33cm) 15. Scapegoat. (23.5 x 33.5cm)

De Segonzac Travelling Scholarship

Jon was awarded the De Segonzac Travelling Scholarship which enabled him to travel to Italy. He spent a number of weeks in Tuscany and in particular, Sansepulcro where he produced a number of new paintings

Wedding

Jon was present at his brother Simon's wedding to Kate Bramwell

Pavement Artists

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Bursary

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RA Final Show

The source of the paintings are mainly biblical. The myth of John the Baptist has greater secular resonance than Christian relevance. He is at the end of an accelerating chapter of history which marks the Christ. The penultimate prophet in the wilderness making clear the way; for the notion of spiritual rebirth. A proclamation, his self, rock and no water and the sandy road, which history has rewarded a new myth of potent male sexuality. Joachim; a cry of dire portent. I have been concerned in these pictures for his mother. Jon wrote this statement for his final show at the Royal Academy Schools.

Jon exhibited the following works:

Tuscan Tree. Fireplace. Wood. Anna& Simeon. Portrait of a Young Man. Portrait of a Young Man. Head of a Young man. John the Baptist and Salome. Baptism. Homage to Origin. Introduction. Nun. Nazarene.